Director Andrew Dominik's new film addresses the sense of paranoia that plagued the star.
Towards the end of Blonde, Marilyn Monroe (Ana De Armas) is shown falling into the depths of drug addiction and despair. The camera almost turns into night mode and shows her to be a paranoid wreck: is there someone bugging her phone? ...
We use cookies to ensure you get the best experience on Esquiremag.ph. By continued use, you agree to our privacy policy and accept our use of such cookies. Find out more here.