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More articles about: Ana de Armas

Director Andrew Dominik's new film addresses the sense of paranoia that plagued the star.
Towards the end of Blonde, Marilyn Monroe (Ana De Armas) is shown falling into the depths of drug addiction and despair. The camera almost turns into night mode and shows her to be a paranoid wreck: is there someone bugging her phone? ...
Ana de Armas' screen glories will come. They aren't here.
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