Decades (maybe even centuries) in the making, this exhibit shows us how the National Artist's neo-colonial cinema has come full circle.
For all the years we've known Kidlat Tahimik-man with the cool moniker, carrying a rattan vintage film camera, rocking a bahag, and sporting flowy gray hair-he's undoubtedly the quintessential proponent of the Filipino identity. His name crackles around ...
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