When Harmony Korine's seedy, beach fever dream first released, it felt like an unlikely pop pivot. 10 years later, it remains one of the finest neo-noirs of this millennium.
The first time I saw Spring Breakers, writer-director Harmony Korine's seedy beach noir currently celebrating its tenth birthday, was as God intended: on my friend's PlayStation 3, either before or after a night in various bleating, lurid bars. What ...
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