A new book of never-before-seen photos, forgotten by McCartney and undeveloped for years, reveals an idol in the making determined to stay a subject instead of becoming an object.

There was a time when it appeared as if the actor's main purpose onscreen would be to demonstrate what happens when the neck of a Gap t-shirt loses its elasticity. He wouldn't allow it.

It is the defiant victory of the last decade of Steven Spielberg’s career that he is making movies—and making them better than ever—for an audience that may no longer have any idea of how to watch them.

Ana de Armas' screen glories will come. They aren't here.