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Long Reads

"I’m not a dreamer. I’m a realist."—Eddie Garcia

By Miguel Escobar
Oct 15, 2018
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WHAT I'VE LEARNED

EDDIE GARCIA
89, actor and filmmaker

I started in 1949, after I got discharged from the Philippine Scouts in the U.S. Army. I was stationed in Okinawa for three years, as [part of the] occupational troops. In 1949, the Philippine Scouts were disbanded by President Quirino. He wanted his 29,000 men back, so the Philippine Scouts were disbanded. But I had a choice to re-enlist in the U.S. Army. So I said I’ll just goof off for about two months in Manila and then go back to Okinawa to re-enlist. And then my commanding officer said, “You come back, you re-enlist, then I’ll send you to officer’s candidate school.” When I was here, I met a guy, George Sanderson, and he said, “Ed, let’s try the movies. Manuel Conde needs seven guys to play in Siete Infantes de Lara.” It was a sword-swashbuckling film. I said, “No, I have to go back and re-enlist.” He said, “Come on, let’s try it.” So I said okay. We went to see Manuel Conde, he said, “Come back in three days—we’ll give you a screen test.” So when we went back, there were about forty guys who were screen tested. He said “Come back after ten days and I’ll choose seven.” So we did. After ten days, we came back, and he chose seven—and we were chosen. The late Mario Montenegro, Johnny Monteiro, Albert Madison, George Sanderson, Terry Campillos, and Jimmy Castellvi. So I wrote, to my commanding officer, I said “Sir, I’m sorry, I cannot come back to re-enlist. I’m going to join the movies.” He answered back and said, “Good luck, Garcia.”

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If I didn’t join the movies, probably I’ll be, dead, six underground in Korea, because that [was the start of] the Korean war. And if I survived that, in Vietnam. If I survived that, I’d be a retired colonel. So that’s destiny.

I never dreamed of being an actor. I always wanted to be a soldier—I wanted to make it my career. Everybody has a dream. Somebody says “I want to be a lawyer,” “I want to be a doctor.” And me, it happens to be “I want to be a soldier.”

In Sampaguita, it was very disciplined—they were very specific about time. There was one actor, his weekly allowance went to fines, because every minute you’re late, you’re fined. If your call time was eight o’clock, you’d be there before, or at eight sharp. Because if you go in at 8:10, you’re fined. Punctuality is very important.

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I’m usually earlier than the call time. Because my motto is, “What you could do today, do it now, so you could do something else tomorrow.”

"I play villain roles. When I’m hated, that means it was a good job."

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Jacket: Hermès
PHOTO: Artu Nepomuceno
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Whatever I do, there’s passion in it. That’s important. If there’s no passion…you get out of it and find another job. For 69 years, I continuously did movies, because it’s a job that I like.

If you have an office job, every day, you sit at the table, blah blah blah, blah blah blah. It’s boring. As an actor, you go to different places, you meet different people.

I don’t have a handler. I could handle myself. I’ve noticed some stars I’ve worked with, especially the beginners, sometimes they come on the set, they’re so tired, because the handler booked them in a fiesta in some town, you know. I don’t need that.

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I play villain roles. When I’m hated, that means it was a good job. One time, during my Sampaguita days, I did a film with Gloria Romero, and in the film, I raped her. I was the villain. Then on the opening day, all the actors, they go and sign autographs, and then after that, they go to the launch to view the film. So I went there and when the lights [went] on, there was an old woman with an umbrella, socked me on the head. Then I look at her [and she says], “Ito palang walang hiya oh!” That means I did a good job.

To me, an award is a bonus for a job well done. You do it well, maybe you win an award. That’s it.

Moviemaking is just a job.

When you’re given a role, it’s the best recommendation for your next project. So if you do it well, the casting people will say, let’s cast him.

I was not involved in the Martial Law era. But the first two years were very good—people were disciplined. Even jaywalking—you can’t see people jaywalking. They cross on the pedestrian lane. The streets were very clean and there were less crimes...for the first two years. But after that, it got a little haywire.

I always observe people. I see how they react to certain things, like if I see a guy on the street, he crosses and then he is run over by a motorcycle...See what happens when you don’t cross on the pedestrian lane? That happens because you were stupid.

A disciplined person helps other people. If you are disciplined, you’re supposed to be there on time. If you’re a primadonna and you come late, I mean, what will these other people say?

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[Coco Martin] is very disciplined. He comes on the set on time, he knows what to do, he’s prepared, and he treats people squarely. As a matter of fact, in this TV series we’re doing, Probinsyano, he has casted actors who did not have jobs in the past...oldies. And he brought them back. He’s very compassionate. He’s helped a lot of people.

Before, when I was directing, suppose the prop man forgets about something that’s very important on the set, and I’m ready to shoot that scene. I don’t get mad. I just don’t break for lunch and everybody goes hungry till four o’clock in the afternoon. When I suffer, everybody suffers. I don’t shout, I don’t get mad...I just don’t feed them.

In film, because negatives are very expensive, you’re budgeted—you’re given 25 rolls only. In digital, you can do it over and over again. When I direct, I pre-edit my shots. I only take shots that are what I want. I’m not the type who will take one from this angle, one from that angle, then pag-pipilian. Ako, I’m definite.

Courage is taking risks. One time, I was in a club, there were...hoodlums, drinking in one table. And then they invited me for a drink. So I went to the table. They were drinking beer. So they poured beer in my glass. Then one of the guys started getting peanuts and putting them in the glass, so you could see the balat of the peanuts floating. I said, “Aba, palabas ito ah.” I drank it. Then I ordered a round. “O, akin naman ito.” So I got the clip of my .45, I got the bullets and put them in the glass. After that, they paid the bill and then they left. Palabasan eh. Mga pasikat.

I’m a very peaceful man, till provoked.

"Women should be treated delicately. They should be put on a pedestal. She should be worshipped."

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Jacket: Hermès
PHOTO: Artu Nepomuceno
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Money earned but not spent is not your money. You make money, you just put it in the bank without touching it. What does it do to you? Nothing. The reason you earn is because you want to spend it. You can’t bring it to the grave. What I earn, I spend.

If you’re going to the gallows and you have a hearty meal, what does it do to you? Nothing. You savor it, then you’re going to die anyway. They should give that good meal to somebody who’s living—somebody who’s not [about] to die.

I’m not a dreamer. I’m a realist.

Women should be treated delicately. They should be put on a pedestal. She should be worshipped. I’m a one-woman man. Having so many love affairs at the same time...it’s a headache! You waste your time lying and cheating.

I don’t want to waste time scratching that phone. As you can see, every day, people with that kind of phone [a smartphone], they’re in a corner, (makes swiping noises). It’s a waste of time! I’ve had [my] phone for about 20 years.

No regrets. Because when I want something, I think about it—could it be achieved? If it could be, I work for it, to achieve it. And if it’s impossible, I scrap it. There are no regrets. I only set goals that can be achieved.

My belief is, when you’re dead, you’re dead. Nobody could tell how it is to be in purgatory, nobody came back to relate [that] story. But I believe in God for sure. If your time is up, that’s it. When your time is up, you’re dead, people forget about you. Frankly, I don’t give a damn. The first few months, they remember you...after that, they forget about you. I don’t care about legacy.

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PHOTO: Artu Nepomuceno
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Styled by Clifford Olanday

Makeup by Joan Teotico using NARS Cosmetics

Hair by Bryan D. Resureccion

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