7 More Rising Contemporary Filipino Artists to Get Familiar With
Organizations like The Metrobank Foundation, Inc. have long provided a space for the Filipino artist to articulate their place in all this. Its annual Metrobank Art & Design Excellence (MADE) has served as a venue for the next set of contemporary masters for close to four decades now. This year's winners are no different.
A section of the show also features works by the alumni organization of MADE awardees—MADE Network of Winners—called In Between Paths (Sa Pagitan ng mga Landas).
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With the overarching call Connect: Stronger Ties, Bolder Strides, this year’s MADE competition received a total of 402 entries. And all of them presented some interesting new perspectives.
The 2023 MADE Board of Judges was chaired by artist, educator, and consultant Sandra Palomar and co-chaired by Qube Gallery founder Maris Holopainen. Members of the Board include visual artist and sculptor Kublai Millan, painter Golda King, visual artist Raffy Napay, sculptor Richard Buxani, and heritage specialist and educator Dr. Laya Boquiren-Gonzales. Palomar, the Dumaguete-based artist, educator, and consultant, also served as the curator for the exhibit this year.
Each winner received the "More" Trophy, which was designed by Juan Sajid, a Metrobank Foundation Prize for Achievement in Sculpture winner himself. With that said, here is the next set of up-and-coming artists to learn more about as they embark deeper into their art practices.
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Jowee Anne Aguinaldo>h2
"Puro Kahig, Walang Matuka" (2023)>h3
Grand Awardee, Oil/Acrylic on Canvas Category
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Photo by METROBANK FOUNDATION.
"Napapanahon, sa bawat panahon," Jowee Anne Aguinaldo tells me.>p
The beauty of “Puro Kahig, Walang Matuka" is how it speaks of the grief of farming without misrepresenting the farmers' plight. With figures set in a desolate area, this portrayal demonstrates the irony of life on the fringes for people who directly nourish the nation. The red, yellow, and blue, practically surrounded by darkness, are no coincidence, too, of course.>p
Jerome Santos>h2
"Ha(PAG PAG)kaing pinagkainan" (2023)
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Grand Awardee, Water Media on Paper Category
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Photo by METROBANK FOUNDATION.
Jerome Santos’ “ha(PAG PAG)kaing pinagkainan,” too, dissects another specific paradox in our culture: the tragedy of excesses.>p
Here, the artist shows us a visceral image, rendered in watermedia, of men who are cursed with the scraps from the "surplus" in the food industry. It asks the viewer to sort out the distinctions between garbage, humor, survival, and fulfillment, and how, for people stuck in the cycle of poverty, these can be inseparable.>p
Dexter Cinco
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"Prima Custos" (2023)>h3
Special Citation, Oil/Acrylic on Canvas Category
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This is an endearing portrait of Dexter Cinco's grandmother, one that asks us to rethink the most valuable figures in our becoming. Cinco says that when she showed it to her, all her grandma could do was cry.>p
The piece encapsulates the influence of the elderly on the nucleus of society. With it, we see Cinco carefully maneuvering the pitfalls of old age, as well as some of his most cherished memories of her grandmother. It is as personal and tender as it gets. Just a lovely thing to see.>p
Jonas Miguel Arlegui
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"Pagitan" (2023)
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Special Citation, Oil/Acrylic on Canvas Category
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Photo by METROBANK FOUNDATION.
According to Jonas Miguel Arlegui, this painting was meant to showcase a specific earthly divide he observed in the post-pandemic setting. "Ang pyesang ito ay pagpapakita ng pagitan ng tao, bagay, mundo, at ng diyos. Kahalagahan ng paniniwala, pagpupursigi, at pananampalataya bilang tao.">p
Monochromatic and allegorical, this painting was meant to demonstrate the isolation of the individual. We can see a landfill on one side and people on the other, divorced by greys, blurring the pathways for support and connection. The use of scattered telephone poles devoured by monotony is a reference to the religious image of the cross, also lost in the fray.>p
Zarlien Delgado
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"Some threads are made of flesh and blood" (2023)
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Special Citation, Water Media on Paper Category
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Photo by METROBANK FOUNDATION.
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In "Some threads are made of flesh and blood," artist Zarlien Delgado calls upon her own family's history of dressmaking.>p
It tells a story of a multi-generational tradition that immortalizes the women in her life. The crimson red underlines the emotional character of the practice, both in tangible and intangible forms. Calligraphy floats over the figures to symbolize the threads that bind them. The piece takes us on a vision trip that anatomizes concepts of domesticity, femininity, and maternity; all of which, come in a warmly intricate package.>p
Abril Dominic A. Valdemoro>h2
"Last Trip" (2023)>h3
Grand Awardee, Sculpture Program>p
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Photo by METROBANK FOUNDATION.
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Abril Dominic Valdemoro's “Last Trip" reenvisions the jeepney driver as a cultural and spiritual icon.>p
This marine epoxy resin sculpture blends the best of local materials and classical visual cues, done in the contrapposto style. Inscriptions “God Bless Our Trip” and “In God We Trust” are a nod to the identity of our public transport systems. Elements like placards, the "good morning" towel," a winged headpiece, and the hardened anatomy of the figure convey the spirit of these individuals. They are one of the closest things on earth to saints, looking after Filipinos on their individual journeys.>p
Michael Art M. de Leon>h2
"Mundong Pinagisa ng Tubig" (2023)>h3
Special Citation, Sculpture Program>p
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Photo by METROBANK FOUNDATION.
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There's a fluidity that pervades Michael Art de Leon’s resin sculpture “Mundong Pinagisa ng Tubig." Both literally and figuratively.>p
We see how water and humanity interact in this art piece. The artist hoped to symbolize how water facilitates our exchanges. His masterful use of resin allows us to see both the stillness and the act of confluence in these two subjects. The ivory-esque feel of the glass-like sheen of water shows us the fragility of mental forces in this relationship. It tells us, the viewer, to rethink humanity's relationship with water and the environment.>p
Arguably, the most enduring quality of MADE lies in its ability to not only recognize and jumpstart young artists' careers but also in how it upholds the transformative nature of artistic collaboration. More than that, it lets artists reshape their eras in the image of the communities they serve and the ideas and expressions they choose to reexamine and elevate.>p
The artworks are all open for public viewing at the Metropolitan Museum of Manila, Bonifacio Global City, Taguig until October 6. Works of the semifinalists, finalists, MADE awardees, and select pieces from the MADE Permanent Art Collection are exhibited, as well.>p
Established in 1984 by the late Metrobank Group founder and chairman Dr. George S.K. Ty, MADE has served as a platform for discovery for the most passionate and persistent creative visionaries in the country. To date, more than 500 visual artists and design professionals have been recognized. Many of them are now carving significant names in the local and even international art and design scenes. Past awardees include Elmer Borlongan, Mark Justiniani, Jan Leeroy New, Alfredo Esquillo, Andres Barrioquinto, Yeo Kaa, and Cedrick dela Paz.>p
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