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Long Reads

Come to 78-45-33, a Vinyl Records Bar That Champions the Old School

By Sam Beltran
Aug 6, 2018

In the vinyl record bar 78-45-33 in Salcedo Village, you can do a lot of things. You can, for example, enjoy good conversation while getting a cocktail from the bar. 

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In the vinyl record bar 78-45-33 in Salcedo Village, you can do a lot of things. You can, for example, enjoy good conversation while getting a cocktail from the bar. You can also admire the collection of vinyl records displayed on the top shelf and the rare JBL Hartsfield speakers from the 1960s, all owned by Tonyboy de Leon. You’re free to do anything except one thing: You can’t choose the music.

Tonyboy, who is the founder of the November Hi-Fi Show and a certified audiophile, doesn’t take requests in his bar. Calling 78-45-33 an “extension of his living room,” the whiskey bar is dressed in dark interiors with mid-century modern accents, reflecting the owner's personal style. The way he sees it, he’s a gracious host entertaining whoever walks in as guests in his space. 

In conversation with Tonyboy, you’ll realize his passion for music runs deep. Describing himself as a free spirit in a shirt and tie, he explored the bohemian night scene that dominated Manila in the ’80s and ’90s before graduating with a degree in finance. 

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In his youth, Tonyboy was part of Social Distortion, a mobile disco station that used to set up pop-up parties with their own sound system, DJs, and the freshest new wave hits for high schoolers. “Back then, Social Distortion was popular because we were only playing new wave and punk, when everyone else was doing disco,” he says.

Well-known among party organizers from Assumption College and St. Scholastica' s College, Tonyboy explains how they had a hand with the rise of the nationwide hit “More to Lose” by Seona Dancing, the music act fronted by a pre-comedy Ricky Gervais (millennials, ask your parents about this). The song has an interesting spot in local pop culture history, as for years it was known, not by its real title, but as “Medium” by Fade. Social Distortion purposely renamed the record to prevent competing mobile stations from finding more about it. A tie-up with 99.5 RT led to a Friday night spot, and the rest was history.

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Audiophile Tonyboy de Leon shares his love for vinyl records and high-quality audio equipment at 78-45-33 bar in Salcedo.
PHOTO: Paul Del Rosario
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Beyond 78-45-33 

A colorful youth shaped by music has led him to a love for quality sound. Esquire talks more with Tonyboy about what makes a great vinyl record and the good sounds of the past and present. 

 

Nothing beats the heyday of ’90s Malate

TONYBOY DE LEON: "For me, the best clubs that ever came to Manila are the ones they used to have in Malate, like Subway. That’s where the fashion designers, the artists, and the guy who got a new pair of boobs would show up in a tank top and dance. The clubs now feel like you’re attending an investment banker’s conference—I go to the ones in BGC and it’s like a banking committee."

 

People are looking for something different yet authentic

TDL: "Something off-the-cuff, something not stereotypical, and something that provides a little privacy, stuff like that. And of course, great music, which is the focus of our bar. There are couple of, what they call, vinyl bars sprouting up, but I think a lot of them are doing that as a gimmick—it’s a trend. As for me, I’ve been collecting vinyl for more than 20 years, and the equipment I have here is part of my own personal collection."

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There’s good vinyl and bad vinyl

TDL: "A lot of new artists release vinyl records because it’s trendy. They’re doing vinyl for vinyl’s sake. But when you listen closely, the quality of the vinyl they release is pretty shitty. They basically got a CD and pressed it into a record, so there is such a thing as bad vinyl. 

Vinyl is an analog thing, so when you record in vinyl, the original source has to be in analog such as the master tapes. If you get a CD and turn it to vinyl, it’s a lower quality pressing to higher quality. Hence, you’ll get worse quality."

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Friends And Strangers by Dave Grusin and Sadao Watanabe kicked off his love for vinyl records

TDL: "Before buying this record, I used to collect CDs in the late ’90s. I was looking for this particular album, but they never reissued it then in a CD. I walked along Bangkal one day, and I went into one of the stores where they had stacks of records. I looked through them and I found the record. The album I bought was still sealed, so I looked for another copy and never opened this one." 

 


Different genres sound good on vinyl

TDL: "The genre doesn’t actually matter to me—I’m actually into ’90s hip-hop right now. I’m listening to Dr. Dre’s The Chronic, which is actually a really well-recorded album. The engineer who did that is world-class, so it’s really good sound." 

 

He listens to everything

TDL: "Personally, I listen to everything. I have one section dedicated to classical, one to audiophile, one to ’60s rock, one to jazz… everything. Just last night, I was tripping on Celine Dion, Barbra Streisand, and Diana Ross. When it comes to artists of this era, I listen to LCD Soundsystem, Jack White, and Kanye."

 

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PHOTO: Paul Del Rosario
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