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Long Reads

Allow Lauv To Reintroduce Himself: 'I'm Not Interested in Definite Labels. I'm Still in the Fluidity of Exploring'

By Angel Martinez
Jun 3, 2024
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PAUL SUGANO

There’s a particular allure to building a creative career under a persona.

And if there’s anyone who knows this, it’s Ari Staprans Leff. Having made a name for himself as Lauv, he has spent the past few years soaring to the top of the charts, selling out arenas with a distinctive brand of nostalgic heartbreak pop defined by that airy versatile register.

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This double life has afforded him a veneer of normalcy after being plucked out of obscurity. He’s living the best of both worlds as a pop star, akin to the life of that famous fictional alter-ego my generation knows too well. 

While even casual listeners can name his biggest hits in just seconds, we can’t say we know the artist beyond the alias, the person behind the persona, if you will. Underneath the narratives, fame apparently would consume him, as the great tragedy of stardom goes. And much like many tragedies, we find the hero lost in the heat of it all.

Inside this luxe hotel room suspended atop the Makati skyline, Ari sits before me on this Friday morning, proud to announce to the world that he’s finally figuring it out. In fact, if you listen to his latest single, he gives a glimpse into what he’s realized so far.

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“‘Potential’ is very much about discovering that you have feelings for people you initially thought of as friends,” he shares with me. “But it’s also reflective of my process of accepting that there’s a lot more going on inside of me than I thought.”

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PAUL SUGANO
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The Reluctant Star

Unlike many celebrities who crave the limelight from an early age, Lauv wasn’t particularly vain about his meteoric rise. He had always been a reluctant star.

After an adolescence spent penning bedroom pop songs to middling success, he was ready enough for a career that may have been more appropriate behind the scenes. He had gone to New York University’s Steinhardt School, took up music technology and would intern at some of the city’s emerging recording studios. It was during this period that he learned to produce for other people rather than create for himself.

That is, until “The Other” came.

“At first, I was just like, ‘No, this isn’t gonna make a difference, I still feel like me. But what I definitely didn’t realize at the time was that my life changed so rapidly and intensely.”

The quietly released, self-produced single that spoke of the classic battle between the head and the heart gained quite the attention. It earned him an underground following plus a spot on Spotify’s Global Top 100.

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PHOTO: PAUL SUGANO

The real turning point, however, would come much sooner. He eventually signed with the label AWAL and released “I Like Me Better.” It was a smashing success. It went triple platinum, and subsequently became its own "national anthem" in the Philippines, thanks, in large part, to its romcom-ready lyrics and infectious hook (which, unbeknownst to many, is actually a snippet of Lauv’s post-produced vocals)

“That’s when things really started to change for me,” Ari recalls. “At first, I was just like, ‘No, this isn’t gonna make a difference, I still feel like me. But what I definitely didn’t realize at the time was that my life changed so rapidly and intensely.”

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Unfortunately, the fast lane came at the expense of his well-being and identity in many ways. He continues: “Looking back, there were definitely a handful of years when I came across photos of myself and almost didn’t recognize who I was.”

"Who am I attracted to? Who do I fall in love with? Now that I’m not going to hide from this piece of me, I want to explore it in my music.”

Ari has long been fairly open about his physical and emotional struggles in the past. In previous statements made to the public, he has been candid about his depression, alcoholism, and the dangerous combination of the two. His sophomore album, “~how i’m feeling~”, resembles more of a cry for help, in retrospect: he owns up to “trading all his friends for drugs and the internet” in the lead single and laments how “lately, [he’s] been in the backseat to [his] own life” on “Sad Forever.”

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PHOTO: PAUL SUGANO

The pressures of the almost-instantaneous stardom almost broke him, forcing the singer to retreat from the limelight. “I felt pretty uninspired for a very, very, very long time and I was kind of in a dark place,” the pop star admits.

“One day, I realized that this stemmed from the fact that I was running away from a big part of myself: my identity, my sexuality,” he stresses. “Who am I attracted to? Who do I fall in love with? Now that I’m not going to hide from this piece of me, I want to explore it in my music.”

Falling Back in Love With Life

What followed that great upheaval was a series of events akin to your typical coming-of-age film. This would subconsciously inform the writing process for his next album. “In one of the songs, I talk about this silly experience where I had a playful kiss with a friend of mine and what that made me feel,” he says. “I have another where I reflect on what my first heartbreak really was, and another where I return to my childhood. It’s looking at all of the things that make up a true me.”

“I want to give myself and whoever is watching this an authentic look into the life of a boy, who’s figuring his life out, having been scared to be himself around the public.”

The resulting project signals a return to the Lauv that everyone fell in love with in the first place. “I feel like the whole album has to do with me parsing out what is what in my life: what’s really a friendship to me? What’s potentially romantic? I’ve gotten some clarity in some past situations in my life, I’ve found out what wasn’t meant to be and what I was just forcing.”

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PAUL SUGANO

While most, if not all, tracks are grounded in themes of curiosity and metamorphosis, Ari refuses to group them under a singular genre. “I always have trouble with labeling my work because I like to make things coming from a lot of different places.”

Coincidentally, he feels the same towards his sexuality: “There are words that I can put to the way I feel in certain moments but I’m not interested in definite labels because I’m still in the fluidity of exploring.”

Coming to terms with oneself is a bold undertaking in the digital age: pop culture vultures nowadays demand that idols know who they are from the get-go and package themselves accordingly, or be subjected to queerbaiting allegations.

Ari was always aware of how vicious critics can be. It’s part of the reason why he’s had to suppress his feelings for such a long time. His exposure therapy would have him look this fear right in the eye and just say, “F**k it.” In a recent journal entry published on his finsta, he confesses: “I want to give myself and whoever is watching this an authentic look into the life of a boy, who’s figuring his life out, having been scared to be himself around the public.”

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Scrolling through his more recent posts on both Instagram accounts, one can see that his grids start to resemble shared files in a group chat. He posts crying selfies to “When We Were Young” by Adele (same) and confessional notes that reveal his diaristic approach to documentation. Sure, some would call it messy — but thankfully, he isn’t as bothered about it anymore. “That’s gonna be a lifelong thing for me, just trying to stay close to my true self, especially at a time when the world just throws so much at you.”

Keeping the Dream Alive

While he’s gearing up to show the rest of the world the man behind the moniker, Ari keeps himself busy with other side projects. Recently, he contributed a song to the soundtrack of Disney movie Elemental and took up dancing, which he says he’ll be doing a lot more of soon.

Lately, he’s been hopping around Asia for both business and pleasure: shortly after our conversation ends, he tells me he’s flying to Bali for a long-overdue trip to the beach.

"I think everyone knows what it feels like to grow and learn more about yourself and find a more true version of who you are.”

“I honestly feel bad that I have to leave Manila so soon,” he says. “My relationship with this place naturally evolves and I’m very thankful for it. I know it’s going to be a forever thing.” I find myself smiling back at him because I agree: how many other countries can say he gave them a surprise Jollibee mini-concert and a music video featuring live footage from their show? 

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PAUL SUGANO

Keen observers might have noticed that Ari has been shuttling to and from South Korea since joining HYBE’s roster of international artists. He’s collaborated with Twice and EXO’s LAY on tracks and dance challenges alike, too, and has even experimented with the language, creating a Korean version of "Love U Like That" with the help of AI.

Artists are predisposed to be wary of technology, which seems to be advancing at their expense. Given the rate of innovation, experts say it’s only a matter of time before artificial intelligence replicates or even surpasses genuine talent. But Lauv isn’t worried about that too much. He knows nothing beats music that tells a good story and speaks to a basic human truth: that regardless of which labels we associate ourselves with and which personas we hide under, we all just want love — from others, but most especially, deep down, from ourselves.

“There are only so many ways that life can go down: even if you have a different partner or situation, the emotions are kind of the same. I think everyone knows what it feels like to grow and learn more about yourself and find a more true version of who you are.”


Story: Angel Martinez
Photographer: Paul Sugano
Editor-in-Chief: Paul John Caña
Production: Bryle B. Suralta
Creative Direction: Igi Talao
Design Direction: Igi Talao
Grooming: Emma Wendorff
Styling: Rei Buesing and Rush Romano
Special thanks to Mike Sagaran and Raffles Hotel Makati

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