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Long Reads

What I've Learned: Carlos Siguion-Reyna

By Rhia Grana
Jun 27, 2024

Acclaimed director Carlos Siguion-Reyna fondly reminisces about his journey as a filmmaker. In an interview with Esquire Philippines, he shares that it was the brilliance of veteran director Lino Brocka’s masterpieces Tinimbang Ka Ngunit Kulang and Maynila sa mga Kuko ng Liwanag that ignited his passion for cinema and inspired him to pursue a career making movies.

The young cinephile then admired how Brocka's films mirrored real-life conditions of people on the lower fringes of society. "His work always reflected the passion of his characters. They were not static characters, his characters were not playing victims. They would really struggle to get their goals," he says.

Carlos Siguion-Reyna
Joseph Pascual
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From expecting to become a lawyer after finishing a Liberal Arts degree, he landed a brief career in advertising. His roles there involved accounting and media planning. "In the ad agency, the production people were really stressed and everything. Magulo, running all over the place. But they seemed to be having fun. I thought, I'd like to try that," he recalls.

That prompted him to pursue a graduate film program at the New York University Tisch School of the Arts. He initially gravitated toward screenwriting but later decided he would enjoy the art more by working closely with the actors and production people.

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His first film was Misis Mo, Misis Ko, a poignant and complex story about two couples entangled in extramarital affairs. The romantic drama, starring Dina Bonnevie, Edu Manzano, Jackie Lou Blanco, and Ricky Davao, was a co-production between Viva and Siguion-Reyna's mother, Armida.

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Hihintayin Kita sa Langit, an adaptation of the romantic period drama film Wuthering Heights, released in 1991, not only catapulted him, Reyna Films, and the Richard Gomez-Dawn Zulueta love team to fame, but also brought attention to the province of Batanes.

carlos siguion-reyna
Joseph Pascual

Siguion-Reyna directed a string of noteworthy projects after that, including Inagaw Mo ang Lahat sa Akin (starring Maricel Soriano, Snooky Serna), Azucena (featuring Alessandra de Rossi), and Hari ng Tondo (top billed by Robert Arevalo). These films, he says, are particularly close to his heart and resonate deeply with him.

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We may not have seen him direct new films in recent years, but he's been actively working behind the scenes, particularly as a film professor at the New York University Tisch School of the Arts in Singapore, and at Cinemalaya, where he now serves as the chairman of Cinemalaya's Competition and Monitoring Committee.

He also ran the Cinemalaya Film Lab for 2025, where he guided the 20 semi-finalists and helped them complete the scripts, ten of which would be chosen for next year’s competition.

Siguion-Reyna has also ventured into acting, appearing in the GMA teleserye Apoy sa Langit, the Netflix series Replacing Chef Chico, the feature film Filipiñana, the romantic drama movie Five Breakups and a Romance, and the comedy-drama Pushcart Tales. He is currently seen in the ABS-CBN action-drama television series Pamilya Sagrado, playing the role of Gen. Leon Arevalo, Sr.

In this month's feature on What I've Learned, the veteran filmmaker imparts the wealth of wisdom he learned through years of working in the entertainment industry.

article big image
PHOTO: Joseph Pascual

Choose material you're passionate about. You can do anything, but make sure you're connected with your material. It's a story you're obsessed with or feel you must tell. This passion will resonate with everyone in the production, and the audience will likely pick up on it and connect with it because it taps into something in their own lives, too.

Find your tribe. Aside from mastering your own craft and art, it's about finding your people. You have to find the right people you can work with—your core group. You need to nurture this group. You can't just move from one group to another, especially if you're a filmmaker. This is a group you will work with closely and intimately and trust with sharing ideas. This way, you can bounce off ideas; it's not just you. You can test ideas with each other.

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Maintain professionalism at all times. We all need reminders on certain fundamental dramatic principles that help us uphold and discipline our filmmaking. Ensure these principles keep us sharp and on edge. Avoid staying in your comfort zone. There is always something to push us further, to sharpen the story and improve the directing.

Carlos Siguion-Reyna
Joseph Pascual

A director is a complete storyteller. You're not only in charge of directing your actors; you work with everybody. You collaborate with the writer, designers, cinematographer, editor, and sound team. So much of a film is done in post-production; it's made in the editing. It would be great if you can direct and write, or direct and edit.

Follow your own internal compass. As a celebrity, some people expect you to behave a certain way and avoid anything that may alienate your audience. There are certain conventions of behavior that people follow to avoid offending their fan base. There's nothing wrong with that. However, the important thing is to stay in touch with who you really are and what you believe in.

Accept that you and your partner are different individuals. My wife, Bibeth, is more open to the world, while I'm a bit more guarded. Although sometimes the boundaries get blurred, there's still a difference in our personalities, worldviews, and attitudes. That variety keeps the relationship dynamic and alive. There's enough diversity between us to maintain some tension. I think I wouldn't want a situation where there is no tension at all. You need some kind of edginess in the way you do things or in your relationship.

Carlos Siguion-Reyna
Joseph Pascual

Nurture passionate voices. My hope for Cinemalaya is to nurture and develop individualistic yet professional, polished voices. Their identities come through in their choice of stories or materials, and I hope to help preserve that as well. I hope they keep those voices and identities intact. It's about keeping the passion and obsession burning in them to tell their stories.

We have the right to see what we want to see. It's none of the state's business to tell adult audiences what they can or cannot watch. A government body should not ban a film or prevent adult audiences from watching a film. Its role is to warn, not to act as a guardian of morality. Parents should be the ones to guide their children on what shows or films are good and not good for them.

Keep an eye and ear open for Filipino films. When you hear good news about a local film, take the effort, take the time, go out there. Watch it in a film festival. Watch it in a regular screening or wherever it comes out streaming because it's really worth keeping those voices and identities alive. I believe there is something significant about a culture, a people, telling its own stories to its own audience. This practice serves as a record of the audience at the time the film was made, reflected in how the film is received. Whether it was a big hit or a flop or something in the middle will give us a picture in the future.

Story: Rhia Grana
Photos: Joseph Pascual
Makeup: Xy M. Eugenio assisted by Lorna Matusalin
Hair: Mutya Cabrera
Production: Mig Mabanta
Video: Teddy Garcia Jr.
Creative Direction: Igi Talao
Editor-in-Chief: Paul John Caña
Shoot location at Haraya Residences Showroom at Bridgetowne Destination Estate.

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